SOLO EXHIBITIONS
The Gallery at the Rhodes Art Center, Northfield Mount Hermon, Mount Hermon, MA
A Candle in the Night, Brattleboro, VT
Smith College Alumnae Art Gallery, 2006, 2008, Northampton, MA
Ceres Gallery, 2008, New York, NY
Ceres Gallery, 2005, New York, NY
Ceres Gallery, 2003, New York, NY
Ceres Gallery, 2000, New York, NY
Johnson & Johnson World Headquarters: Ties That Bind 1997, New Brunswick, NJ
Ceres Gallery, 1994, New York, NY
Ceres Gallery, 1991, New York, NY
Ceres Gallery, 1988, New York, NY
Ceres Gallery, 1986, New York, NY
SELECTED COLLECTIONS
Smith College Museum of Art, Northampton, MA
Microsoft Corporation, Redmond, WA.
Johnson & Johnson, New Brunswick, NJ
Gartner Group, Stamford, CT
Patrick and Carlyn Duffy, Eagle Point, OR
Bruce and Lynn Surry, East Hampton, NY
Sylvia Sleigh Collection of Women Artists, New York, NY
Martin and Marjory Stoller, Bethesda. MD
Frances Bendixson, London, England
SELECTED GROUP EXHIBITIONS
2010
Art from Found Objects, Monmouth Museum, Lincroft, NJ
114th Annual Exhibition of the Catherine Lorillard Wolfe Art Club, National Arts Club, New York, NY.
The World of Artists, Howland Cultural Center, Beacon, NY
Visual Diaries, Suffolk County Community College, Brentwood, NY
2009
Bridging Generations: Women Artists and Organizations from Rutgers’ Collection, Rutgers, the
State University of New Jersey, New Brunswick, NJ
Solo/Group Show, Southern Vermont Arts Center, Manchester, VT.
Ineffable/Woman: A Bi-Coastal Conversation, California Institute of Integral Studies,
San Francisco, CA, Ceres Gallery, New York, NY.
Towing [sic] the Line, Ceres Gallery, New York, NY
2008
In the Nature of Things, Interchurch Center, New York, NY.
Small Works, 80 Washington Square East Galleries, New York University Steinhardt, NY.
2007
Breaking New Ground: The Power and Variety of Landscapes, Brother
Kenneth Chapman Gallery, Iona College, New Rochelle, NY.
Art 4 Connections, George Segal Gallery, Montclair State University, Montclair, NJ.
Made in the USA, Blue Hill Cultural Center, Pearl River, NY.
111th Annual Exhibiton of the Catherine Lorillard Wolfe Art Club, National Arts Club, NY
51st National Fall Open Exhibition, Southern Vermont Arts Center, Manchester, VT.
2006
Anything Goes, Sussex County Community College, Newton, NJ.
110TH Annual Exhibiton of the Catherine Lorillard Wolfe Art Club, National Arts Club, New York, N.Y.
Ceres Gallery Artists, Krasdale Food Corporate Gallery, Bronx, NY
2005
Water And Wood, Mitchell Sanborn Gallery, Keyport, NJ.
67th Annual Guild Hall Artists Member’s Exhibition, Guild Hall, East Hampton, N.Y.
National Association of Women Artists 116th Annual Exhibition, New York, NY
2004
The 47th Annual Chautauqua National Exhibition of American Art, Chautauqua, New York.
66th Annual Guild Hall Artist Member’s Exhibition, Guild Hall, East Hampton, N.Y.
Lakeside-Statewide Juried Art Exhibition, Art Association of Oswego, Oswego, N.Y.
National Association of Women Artists 115TH Annual Exhibition, New York, N.Y.
2003
Ceres At 20: Birthday Duet, Ceres Gallery, New York, NY.
2003
107TH Annual Exhibition of the Catherine Lorillard Wolfe Art Club, National Arts Club, New York, NY.
2002
106TH Annual Exhibition of the Catherine Lorillard Wolfe Art Club, National Arts Club, New York, NY
2000
As If Alive: Animate Sculpture, New Jersey Center for the Visual Arts, Summit, N.J.
The Mask: Magic or Menace, City Without Walls, Newark, N.J.
1999
Summer Ensemble, Ceres Gallery, New York, N.Y.
Ceres at 15: Celebrating the fifteenth Anniversary of a Women’s Gallery, Kingsborough Community College, Art Gallery of the City of New York, Brooklyn, N.Y.
1998
The Aljira National 4, Aljira Gallery, Newark, N.J.
1995
Selected Visions II: Artists of the Women’s Caucus for Art, Krasdale Food Corporate Gallery, Bronx, NY
1991
Krasdale Food Corporate Gallery, Bronx, NY
Art Environment, Annual Group Exhibition of the Frelinghuysen Township Environmental Commission, Johnsonburg, N.J.
PRESS / PRINT
Guyon, Annie Lawrence, “Creative Synergy: SVAC Puts the Art in Partnership,” Rutland Herald, Rutland, VT, May 10, 2007
Henry, Sara Lynn, As If Alive: Animate Sculpture, Catalogue for Exhibition at New Jersy Center for the Visual Arts, Summit, NJ, 2000
Bischoff, Dan, “The Mojo of ‘Masks,’” The Star-Ledger, Newark, N.J., Friday, July 28, 2000.
Kolflat, Gail, “Portrait of the Artist,” State of the Art, Red Bank, N.J., November/December 1997.
Schwabsky, Barry, “Signposts in Driftwood,” The New York Times, Sunday, August 17, 1997
Swartz, Anne, “A Place for Beauty,” New York Arts Magazine, January 7, 2007.
Zimmer, William, “In White Plains, Krasdale Provides Views of City Life,” The New York Times, Sunday, August 4, 1991.
AWARDS
Harriet W. Frishmuth Award for a marble or other non-bronze sculpture awarded at the 114th Annual Exhibition of the Catherine Lorillard Wolfe Art Club, New York, NY. judged by Ellen J. Landis, Curator at Grounds for Sculpture, Hamilton, NJ and Eleanor Stride, sculpture teacher in New York and France.
Council of American Artist Societies, Inc. Award, In memory of Lila Katzen, awarded at the 107TH Annual Exhibition of the Catherine Lorillard Wolfe Art Club, New York, N.Y. Juried by Brooke Barrie, Barbara Lekberg, Thayer Tolles and Renata Schwebel
Council of American Artist Societies, Inc. Award, In memory of Lila Katzen, awarded at the 110th Annual Exhibition of the Catherine Lorillard Wolfe Art Club, New York, N.Y. Juried by Helen Ferrulli, Ailene Fields and Cornelia Seckel
Florence and Irwin Zlowe Memorial Award, 124th Annual Exhibition of the National Association of Women Artists, Inc., New York, NY.
Juried by Nancy Azara, Joyce Pommer and Lydia Viscardi.
ART CRITICISM
Rosser, Phyllis, “Making Trouble,” High Performance, Winter, 1994.
Rosser, Phyllis, “Rites of Spring: Procession to Save Our Gardens,” High Performance, Fall 1994.
Rosser, Phyllis, “Mel Chin’s ‘Invisible Architecture,’” Public Art Review, Fall/Winter 1994.
Rosser, Phyllis, “There’s No Place Like Home,” New Feminist Art Criticism: Art, Identity, Action. Arlene Raven, Cassandra Langer, Joanna Frueh, ed. Harper Collins, N.Y., 1994.
Rosser, Phyllis, “Art About Family Violence: A New Political Movement,” New Directions for Women, March/April 1993.
Rosser, Phyllis, “Found Objects and Everyday Lives Inspiration for Wearable Art,” New Directions for Women, November/December 1992.
Rosser, Phyllis, “Suzanne Benton: Sculpted in Power, Pain and Herstory,” New Directions for Women, July/August 1991.
Rosser, Phyllis, “A Passion for Life,” New Directions for Women, January/February 1991.
Rosser, Phyllis, “Barbara Chung, Elliot Sharp, Yong Soon Min: Irrational Fullness,” High Performance, #51, Fall 1990.
Rosser, Phyllis, “Art and the Invisible Reality,” High Performance, #49, Spring 1990.
Rosser, Phyllis, “Art Makes Political Waves,” New Directions for Women, July/August 1990.
Rosser, Phyllis, “Education Through Collaboration Saves Lives,” Art in the Public Interest, Arlene Raven, editor. U.M.I., Ann Arbor, Michigan, September 1989.
Rosser, Phyllis, “Ann McCoy Uses Goddess Symbols to Heal and Renew in Painting and Sculpture, New Directions for Women, July/August 1989.
Rosser, Phyllis, “Activist Artists Set New Agenda,” New Directions for Women, March/April 1989.
Rosser, Phyllis, “Arlene Raven’s Essays Address Harsh Realities, New Directions for Women, July/August 1988.
Rosser, Phyllis, “Anita Steckel: Erotic Pioneer,” New Directions for Women, November/December 1988.
Rosser, Phyllis, “Nancy Fried Vanquishes Rage and Pain,” New Directions for Women, May/June 1988.
Rosser, Phyllis, “Spiritual Life Cycle Depicted: Ruth Weisberg,” New Directions for Women, March/April 1988.
Rosser, Phyllis, “Nancy Azara,” Women Artist News, Summer 1987.
Rosser, Phyllis, “Feminism and Art: Four Lectures by Arlene Raven,” Women Artist News, September 1986.
Rosser, Phyllis, “Feminism and Art: A Lecture by Arlene Raven,” Women Artist News, June 1986.
EDUCATION
Smith College, B.A. History of Art specializing in Modern Architecture.
BORN
Rochester, New York